cover for issue 03

Issue 3: "Dream a Little Dream of Me"

Neil Gaiman, Sam Kieth, and Mike Dringenberg
  • Third part of first storyline, More than Rubies
  • Third story reprinted in Preludes and Nocturnes
  • Audible Act I Chapter 3
  • Netflix Episode 3

Title: "Dream a Little Dream of Me" is a 1931 song. Words by Gus Kahn, music by Wilbur Schwandt & Fabian Andre. It has been recorded many times by many artists, but most familiar to the audience is probably the version by the Mamas and the Papas, sung by Mama Cass Elliot.

Page 1#

page 01

  • This woman will be identified later. This is her first known appearance.

Frank Zappa Them or Us

  • Panel 2

    Radio 1: A Pop music station run by the BBC in the UK.

  • Panel 3

    The poster in the background is the Album art from Frank Zappa's 1984 album Them or Us

Page 2#

page 02

  • Panel 3

    The lyrics are the opening lines of the title song. There are variations in the lyrics; at least one live source has the opening phrase as "Say 'nighty-night.' "

  • Panel 4

    This is John Constantine, whose background was described in the annotation of the second issue. Constantine is pronounced with the tine of a fork, not the teen of an adolescent.

Page 3#

page 03

  • Panel 1

    When things happen, John Constantine is in the middle of them. That is his nature.

  • Panel 3

    Constantine has historically suffered from nightmares, mostly due to the fact that a lot of his friends get killed as a direct or indirect result of Constantine's actions.

  • Panel 5

    The lyrics are from a song called "Mister Sandman" by the Chordettes, a girl group from 1954.

Page 4#

page 04

  • Panel 2

    John Constantine used to sing with a (fictional) punk group called Mucous Membrance back in the 70s.

  • Panel 3-4

    The lyrics are from a Patsy Cline song, "Sweet Dreams," also covered by Elvis Costello on the album "Almost Blue." The lyrics may have also appeared in the comic Badlands #4. The song is considered a classic "proof" of a singer's a capella ("without accompaniment") abilities.

  • Panel 4

    Mad Hettie is a London bag lady whom Constantine previously encountered in Hellblazer #9. She is insane, a prophet, and immortal.

    Mad Hettie in Hellblazer

Page 5#

page 05

  • Panel 1

    Note that the punk on the far left bears some resemblance to the demon Choronzon, which is probably coincidental.

  • Panel 2

    Oneiromancer is another title for Morpheus. It literally means "one who predicts the future by the interpretation of dreams" but the -mancer morpheme has acquired in science fiction/fantasy/comics the more generic meaning of "magician" so that "oneiromancer" here probably means "wizard with power over dreams".

Page 6#

page 06

  • Panel 2

    It is not clear if the practice of "creepers" breaking into an occupied house for sport (rather than to actually steal anything) was a real phenomenon, or just something Gaiman invented for the story.

Page 7#

page 07

  • Panel 3

    In a world where Superman really exists, it is not surprising that people would dream they were he. (Nor in this world, either!) "Last son of a dead planet" is a reference to Superman's meta-title, "Last Son of Krypton." This is also the title of a quite good novel by Elliot S. Maggin.

Page 8#

page 08

  • Panel 1

    The lyrics are from "Sweet Dreams" by the Eurythmics.

  • Panel 2

    The lyrics are from "Dream Lover" by Bobby Darin. It was a #2 hit in 1959.

  • Panel 3

    The lyrics are from "Power of Love" by Frankie Goes To Hollywood. They were used in public service messages about AIDS in Britain.

    The Ley-lines (pronounced "Lay") are a particular reference to a case of Constantine's, the Fear Machine, which ran for something like nine issues in the teens of Hellblazer. Leptons are a class of fundamental particles in physics. Plasma>) is an aggregate of charged particles; "Plasma fields" is incorrect jargon and sounds like New Age crap.

  • Panel 6, page 9 panel 1

    A reference to the legendary Stanley-Livingstone meeting in Africa.

Page 9#

page 09

  • Panel 5

    Chas is a friend of Constantine from Hellblazer.

  • Panel 7

    I think the faces in Morpheus' cloak are simply random.

  • Panel 8

    The "big green bloke" is Swamp Thing, who has been involved in several of Constantine's cases.

Page 10#

page 10

  • Panel 3

    The volumes (diaries?) labeled Brujeria, Plant Elemental, Crisis, and American Gothic all refer to Constantine's first appearance, a case with Swamp Thing that was directly related to the Crisis on Infinite Earths crossover series. Liverpool and Tibet are references I do not recognize.

Page 11#

page 11

  • Panel 1

    This is the Chas of page 9. "Venus of the Hardsell" refers to a song that Constantine used to sing as a member of Mucous Membrane. The lyrics and a "textual video" piece are included as the second story in Hellblazer Annual #1.

  • Panel 2

    I do not know of any way that Morpheus "rewarded" Chas.

  • Panel 3

    Rachel is the girl from Page 1. "The Lupus Affair" is an unknown case of Constantine's. "Lupus" is Latin for wolf; it is also a disease of the connective tissues. In Batman 255, "Moon of the Wolf," Professor Milo (comics' only mad pharmacist) gives Anthony Lupus a drug which accelerates his natural pilosity into full-fledged lycanthropy. The story ends with Lupus hunting wolves in Alaska, searching for a cure. Lupus returned in Detective #505. The "Lupus Affair" may therefore refer to an untold encounter Constantine had with Lupus. Constantine may have referred to Lupus or the Lupus Affair elsewhere.

  • Panel 4

    In the late 60s, Stan Lee and Jack Kirby did a overblown philosophical comic called The Silver Surfer. Drugged-out hippies loved it; it became extremely popular for a short while. Issues of that run are worth quite a bit of money. Besides undergrounds, they are the only sorts of comics likely to be found in head shops.

  • Panel 5

    The lyrics are from a song by Roy Orbison, "In Dreams".

    The song is featured prominently in the soundtrack of David Lynch's movie Blue Velvet.

Page 13#

page 13

  • Panel 1

    I interpret this to mean that Constantine recognized the danger of fooling with something he didn't understand and thus did not try to open the pouch. This seems to conflict with page 9 panel 3, which I interpret to say that Constantine tried and failed to open the pouch.

  • Panel 4

    Another new power of Morpheus. By this time we should mostly be aware that he can affect reality in any way he chooses, subject only to the writer's whims; he can be thwarted only by other beings with similar levels of power.

    In the Audible version, Morpheus utters a word here: Aprité.

    Dirk Maggs explains:

    You've spotted an Easter Egg that originated in our audio NEVERWHERE. I needed a word for Door to use as a spell to open things, The Latin word was "Aprire". At the table read Natalie Dormer said it. Christoper Lee interrupted: "That should be 'Aprité."
    I wasn't going to argue.

Page 14#

page 14

  • Panel 6

    Morpheus can see in the dark.

Page 16#

page 16

  • Panel 3

    Morpheus enters Constantine's waking dream to pull him out.

Page 20#

page 20

  • Panel 4

    We are never told how Rachel managed to open the pouch; this is important because we are specifically told earlier than Constantine could not on page 9.

Page 21#

page 21

  • Panel 1

    Rachel's line about the setting sun is from a Kate Bush song, "The Dreaming," taken from the album of the same name.

Page 22#

page 21

  • Panel 5

    The narrative box claims that Rachel's last dream is "the best of all possible worlds." This phrase from Candide pops up again in the Season of Mists storyline, in reference to Hell.

Page 23#

page 23

  • Panel 6

    Constantine believes that he is going to Hell because he believes he has caused the deaths of so many friends and acquaintances.

Page 24#

page 24

  • Panel 5

    "Newcastle" was Constantine's first case, in which an exorcism went badly wrong and Constantine went nuts for a while.

  • Panel 8-9

    Constantine is singing the song from page 3.

    The end of this issue has a brief overlap with Hellblazer #19:

    End of Sandman #3 Beginning of Hellblazer 19

Credits

  • Originally collated and edited by Greg Morrow.
  • Connie Hirsch fuzzy@athena.mit.edu (Pinkdex - TNG) identified the title song. William Sherman sherman@oak.math.ucla.edu identified the different lyrics to it. Connie and William, along with Steve Simmons scs@lokkur.dexter.mi.us, watts@Csa1.LBL.Gov, and my parents, Denis and Carolyn Morrow, argued about who sang "Mister Sandman." Connie and James Drew jrd@frame.com identified Patsy Cline's "Sweet Dreams." Connie, Rob Ingram rji@nyquist.cs.nott.ac.uk, and watts@Csa1.LBL.Gov identified the songs on page 8. Connie identified the song on page 11. Connie, William, and Andrew David Weiland aw1s+@andrew.cmu.edu identified that there was a quote on page 21, and where it was from. Terry Dawson terry@edsi.plexus.COM definitively identified the source for "Dream a Little Dream of Me" and "Mister Sandman" using The Big Song Thesaurus, 2d. ed.
  • Jeffrey Porten porten@eniac.seas.upenn.edu and Connie had things to say about the burglar's dream.
  • Chris Jarocha-Ernst cje@heart.rutgers.edu speculated on "The Lupus Affair."
  • Steve Murray SXM101@psuvm.psu.edu speculated on Constantine's not opening the pouch.
  • Aaron Bibb added the annotation to page 22, panel 5.
  • Richard Munn added the Radio 1 and Zappa references, fixed the Mad Hettie reference, and tried (and failed) to do more research on "creepers".
  • /u/PonyEnglish noted the Neverwhere easter egg, and the overlap with Hellblazer 19
Last modified by Richard Munn on 2023-08-22 - Added notes about Neverwhere cameo and Hellblazer overlap
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